How Children Make the World Meaningful
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"Help! I've fallen!"
"Don't worry, dear, I'll help you!"
"I can't reach, dear!"
"Oh dear, let me reach farther!"
"Thank you, dear, you've saved me!"
"Are you okay, dear?"
"Yes, dear, I'm not hurt."
It was a cyclical game of turn taking with each of them "falling" to the bottom by running pell mell down the concrete slide, then the other two performing as rescuers, reaching out to take a hand and pull.
It was a game of relationships. Sometimes they were sisters and sometimes mothers and daughters.
It was a game of helpfulness, manners, and concern.
And it was a game of heroism.
They were so deeply engrossed in their game that they didn't even notice when I climbed up to stand with them.
Dramatic play is the thread that is woven through everything we do in our preschool. Our paintings, block buildings, and sensory play are vehicles for telling stories. When we're younger we play our stories alone, but as we reach four and five we tell our stories to and with our friends, building upon one another's imaginations, negotiating, insisting, compromising, dreaming.
This dramatic play is surrounded then by science, literacy, math, physical education, the arts and humanities, tools we take from the shelf as we need them, learning to use them at the level at which we comprehend them in the context of the story we are telling together. These "academic subjects" don't stand at the center of what we do at school, but rather exist to support us as we explore worlds of our own creation, practicing the relationships, manners, and courage that we need to live a fulfilling life.
When we turn that on its head, when we place the "subjects" at the center and push the stories to the side the way normal schools do, we render that knowledge and those skills meaningless. Dramatic play is how children make the rest of the world meaningful and it's from there that the rest flows.
"I'll save you, dear!"
"You can do it, dear!"
"Oh dears, we did it!"
"Don't worry, dear, I'll help you!"
"I can't reach, dear!"
"Oh dear, let me reach farther!"
"Thank you, dear, you've saved me!"
"Are you okay, dear?"
"Yes, dear, I'm not hurt."
It was a cyclical game of turn taking with each of them "falling" to the bottom by running pell mell down the concrete slide, then the other two performing as rescuers, reaching out to take a hand and pull.
It was a game of relationships. Sometimes they were sisters and sometimes mothers and daughters.
It was a game of helpfulness, manners, and concern.
And it was a game of heroism.
They were so deeply engrossed in their game that they didn't even notice when I climbed up to stand with them.
Dramatic play is the thread that is woven through everything we do in our preschool. Our paintings, block buildings, and sensory play are vehicles for telling stories. When we're younger we play our stories alone, but as we reach four and five we tell our stories to and with our friends, building upon one another's imaginations, negotiating, insisting, compromising, dreaming.
This dramatic play is surrounded then by science, literacy, math, physical education, the arts and humanities, tools we take from the shelf as we need them, learning to use them at the level at which we comprehend them in the context of the story we are telling together. These "academic subjects" don't stand at the center of what we do at school, but rather exist to support us as we explore worlds of our own creation, practicing the relationships, manners, and courage that we need to live a fulfilling life.
When we turn that on its head, when we place the "subjects" at the center and push the stories to the side the way normal schools do, we render that knowledge and those skills meaningless. Dramatic play is how children make the rest of the world meaningful and it's from there that the rest flows.
"I'll save you, dear!"
"You can do it, dear!"
"Oh dears, we did it!"
******
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